Moshe Zaidler, arms crossed

The artist

Moshe Zaidler

Introvert. Brave. Human.

i.

The man

Moshe Zaidler is a deeply introspective painter. He uses painting to descend into the subconscious: into his experiences, his emotions and his personal history.

He began painting in 2001, and has painted ever since in his studio in Israel. His surroundings are his material: his own home and his parents’ home, the objects that fill them, landscapes along the road, a scene from a film that would not let him go.

ii.

From the dark side

He was born into a difficult childhood, the son of a Holocaust survivor.

His paintings return to what was carried home from there: trauma, memory, loss, and the resilience that grows in their shadow. Painting is how he confronts the past, and how he turns it into something that can be looked at, and lived with.

His longest series is the self-portrait, which has followed him through every year of his work. No two are alike.

A self-portrait, from the artist’s longest series.

iii.

Untitled, by intention

He does not give his paintings titles. For two reasons. First, so that the viewer can meet the painting on personal terms, interpret it, and make it their own. Second, to stay loyal to the way the paintings are made: for Moshe, painting is a kind of archaeology of the subconscious.

“Naming a creation is a conscious, linguistic act. It contradicts the mysterious dimension of the subconscious.” By naming it, the work may lose some of its power. So each painting is known only by its number. A Craft.

iv.

In his words

“My art is, above all, an investigation of painting itself, and of everything it can do.”

I work intuitively and experimentally, on surfaces I find: Formica, plywood, pieces of furniture, fabric, paper. When a subject takes hold of me I explore it again and again, and series are born.

Every painting is a chance to dive into the depths of colour, form and brushstroke, and to create worlds out of nothing.

v.

Exhibited

“Zaidler’s figures embody a constant movement inward, reflecting an introspective search for meaning and identity.”

Yifat Laist Ferman, on Dramatis Personae, Mary Gallery, Jerusalem, April 2024

  • 2024 Dramatis Personae, group exhibition, Mary Gallery, Jerusalem
  • 2022 Salon Hanina, group exhibition
  • 2022 Maya Gallery, online sale
  • 2022 Public Relations, pop-up exhibition, HaKolel
  • 2020 Salon HaKubiya
  • 2017 Salon HaKubiya
  • 2015 Salon HaKubiya

Studies

  • 2015–2022 HaKolel, contemporary painting studio
  • 2007–2009 HaTachana
Installation view, Dramatis Personae, Jerusalem, 2024

vi. · Collection I

The Symbols

Twenty paintings, chosen from the studio. The Symbols.

Enter the exhibition